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Writes a long-form feature article from notes, interview transcripts, or a brief using a five-part narrative arc (hook, context, development, turn, resolution).
How this skill is triggered — by the user, by Claude, or both
Slash command
/autopunk-media-skills:feature-article-writerThe summary Claude sees in its skill listing — used to decide when to auto-load this skill
Write a long-form feature article from provided notes, interview transcripts, or a detailed brief — structured using a five-part narrative arc (hook, context, development, turn, resolution).
Write a long-form feature article from provided notes, interview transcripts, or a detailed brief — structured using a five-part narrative arc (hook, context, development, turn, resolution).
Required: Detailed notes, facts, or interview excerpts (the raw material the assistant will write from); the article topic and angle; target word count (500–2000 words).
Optional: Publication style (magazine, newspaper supplement, digital longform); tone (warm, investigative, lyrical, dry); specific quotes to include; structural preference (chronological, thematic, or profile-led).
Structured long-form article following the five-part arc. Sections are not labelled in the output — it reads as continuous prose. Word count adhered to within 10% of target. Paragraphs average 40–60 words. Subheadings used for articles over 1000 words. Ends with a "Source Material Used" note listing which provided inputs were incorporated.
Topic: A retired photojournalist who documented urban change in a single neighbourhood over 30 years. Her work is now being exhibited at a community gallery in the same neighbourhood.
Angle: The neighbourhood has changed so dramatically that long-term residents barely recognise it, and her photographs are the only continuous record.
Target: 600 words, magazine style.
Interview notes and quotes:
The photograph shows a man in his thirties leaning against a corrugated iron wall, squinting into the sun. Last Thursday, that man — now in his sixties — stood in front of it for several minutes before he realised it was him.
He had not recognised himself.
The image is part of Thirty Years on Calder Street, a new exhibition at the Meridian Gallery — which itself occupies a former warehouse that, in the photograph's background, you can see was still in use. The exhibition collects three decades of work by photographer Anna Voss, who arrived in this neighbourhood in 1991 with a borrowed camera and no assignment, and simply never stopped shooting.
What she documented was the neighbourhood in full industrial life: printing presses running through the night, a tannery that employed forty people from the surrounding streets, corner pubs where the same faces appeared every Friday. She shot the same street corners across thirty years. The buildings, she will tell you, are largely unchanged. Almost everything else is not.
"The buildings are still there," Voss says. "But the people who built their lives in them — most of them are gone."
The neighbourhood is now what urban planners call "mixed use" and what long-term residents often call something less polite. The tannery is a co-working space. The pub closest to the gallery became a specialty coffee outlet in 2017. A weekend market occupies the old loading yard. The transformation is not unusual — it has happened in post-industrial neighbourhoods across every major city. What is unusual is that someone was there for all of it, with a camera.
The exhibition does not editorialize. Voss has arranged her photographs chronologically, with minimal captions: location, year, nothing else. The effect is cumulative. Early images are dense with faces and activity. Later images show the same spaces cleaner, emptier, reorganized for a different kind of life. The viewer is left to draw their own conclusions.
"I never set out to document decline," Voss says. "I set out to document life. What that means has changed."
Three residents who appear in early photographs attended the opening. For two of them, seeing themselves young — in a neighbourhood they still live in but describe as unrecognizable — was, by their own accounts, disorienting. The third, the former tannery worker who stood before his own image for a long moment, said he found the experience less sad than clarifying. He had not forgotten those years. He had simply stopped being able to picture them.
The photographs had been keeping the record all along.
Thirty Years on Calder Street runs until the end of the month at Meridian Gallery.
Source Material Used: Interview notes (all four quotes and biographical details), exhibition description, neighbourhood history (industrial to mixed-use), gallery venue context (former warehouse), opening night anecdote (three original residents, tannery worker).
npx claudepluginhub ur-grue/autopunk-media-skills --plugin autopunk-media-skillsBuilds a complete narrative structure for a long-form reported piece — opening scene, sourcing map, section-by-section arc, and closing — given the story's central argument, key findings, and available sources.
Writes a narrative article beat-by-beat from raw material, letting the user choose each next direction in a choose-your-own-adventure style.
Drafts a factually accurate news article using inverted pyramid structure and AP style. Includes lede writing, source attribution, quote handling, and self-editing steps.